Relying on a built-in camera microphone often produces an audio track that is unintelligible, distorted, noisy and inconsistent. To capture clean, usable audio, hire an audio engineer with the right gear, good ears and experience.

PAST WORK

Video productions for industrials, internal corporate use, marketing and promotion, political advertising, trade shows and documentaries. Clients include  Abbott Labs, Lilly, Takeda, Astellas, GE Medical, Schiff Hardin LLP, United Airlines, Grainger, Infor, Kaplan University, Ford, Career Builder, Prudential, and Herbert Kohl for Senate.

EQUIPMENT

Shure FP-33 modified to interface with D-SLR camera mic inputs

Lectrosonics UCR-210 and Tram TR-50  (x2)

Sennheiser 416 Shotgun microphone with K-Tec Boom Pole